Sacrificing the Ego in Prints from “In Translation”
Today’s post comes from Johanna Shain, Vassar class of 2024 and Loeb student docent.I…
A Renewed Look: Jenny Holzer’s For Elizabeth
Today’s post comes from Tara Peterson, Vassar class of 2025 and Art Center student…
Authenticity and Fabricated Realities in “Seeing and Being Seen” at the Loeb
Today’s post comes from Johanna Shain, Vassar class of 2024 and Art Center student…
"The Great Wonder: Violet Oakley and the Gothic Revival at Vassar," The Evolution of an Exhibition
Today's blog post comes from Chloe Richards, Art Center student docent and Vassar class…
An Anti-Colonial Glance at Jean-Léon Gérôme’s Camels at the Watering Place
Today’s post comes from Ian Shelley, Vassar class of 2022 and Art Center student…
Fred Wilson's "X": Subverting the Technological Biases of Photography
Today’s post comes from Cecily Rea, Vassar class of 2023 and Art Center student…
Inspiration from Hiroshige: Making an Enamel Fox
Today's blog post comes from Olivia Feltus, Art Center student docent and Vassar class…
Sharing Miracles on the Border: New Strategies and Mediums for Exploring an Exhibition of Mexican Retablos
Today's blog post comes from Chloe Richards, Art Center student docent and Vassar class…
Cartography and Art: Artworks as Maps
Today's post comes from Art Center docent and Vassar class of 2021 student Zoe Camhi.…
Doorways: A Loeb Letter
Today's post comes from Bella Dalton-Fenkl, Vassar College class of 2020 graduate and former…
Virtual Tour: Kobayashi Kiyochika
Today's post comes from Bella Dalton-Fenkl, Vassar College class of 2020 and Art Center…
Pamela Smith’s Discoveries from a Sixteenth-Century Artisanal Manuscript
Today's post comes from Chloe Richards, Vassar College class of 2022 and Art Center…
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